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The Destroyer#119Fade to BlackThe DestroyerBook 1192000
In Maryland, a family is killed in a home invasion whose details soon appear in a new film. When similar murders and releases point toward the same Seattle production company, Remo follows the money and the filmmakers while Chiun is secretly helping another studio finish a Hollywood movie.
After Walter Anderson is killed at home, police find his wife and daughter apparently lifeless under bags and learn his son was shot earlier; the killer escaped through a tunnel and took Alice’s Girl Scout beret and sash. A film called Suburban Decay mirrors the case. CURE director Harold Smith identifies similar Florida student murders and a Boise torso murder, each followed by a thematically related release from Seattle’s Cabbagehead Productions. Remo traces the company through executive Shawn Allen Morris and director Quintly Tortilli; Tortilli’s rumor leads to Leaf Randolph, who confesses to the paid Florida murders before Remo kills him. Chester Gecko admits a paid Boise murder and reveals a separate plot to bomb Taurus Studios.
Remo returns to California with Tortilli while Chiun manages his secret Taurus production. Six ammonium-nitrate truck bombs are planted by hired extras; Remo stops five, diverts the last truck into a fake New York set, and escapes its blast with Chiun. Taurus co-chairs Hank Bindle and Bruce Marmelstein admit they paid $8 million for a publicity bombing scheme, while concealing the further New York plan. The first New York bombing has already killed office workers, and the anonymous attacker then leads a violent takeover of the White House. Smith’s unnamed President and First Lady are held captive; Remo enters the grounds and kills assailants. After the siege, and before the Burbank Bowl attack, Chiun kills Bindle and Marmelstein.
Reginald Hardwin, an actor playing a terrorist, reveals that an anonymous employer supplied plans and explosives, then dies at Remo’s hand. Lee Matson—Captain Kill, a discharged would-be commando—turns out to have carried out the Anderson killings, directed other hired actors and explosives teams under Tortilli’s instructions, and built a masked phone relay. Tortilli’s staged Die Down IV merges the crimes into a film, but the actual plot escalates to a third act: assassination of the President at the Burbank Bowl. Tortilli pays Matson to fire live shells from cannons during the 1812 Overture, and uses generous studio contributions to gain White House access and secure the President’s attendance.
Chiun lifts the President toward the exit before the shell hits; the shell strikes and the blast catches them, but Chiun carries him beyond the worst of it. Later, Remo kills Matson by firing the second shell while Matson’s head remains in its barrel. Remo and Chiun capture Tortilli, but the director is later found dead in a Taurus screening room, apparently killed by an unidentified person who forced his tongue and head into a projector. Police match Matson’s fingerprints to the Anderson home and tunnel tools. The President survives both attempts, while Taurus collapses into litigation and Chiun’s film remains unreleased amid legal holds. The source never names the President or resolves who killed Tortilli.
Full articles
An intruder kills Walter Anderson; police find his wife and daughter apparently lifeless under bags and learn the son was shot earlier. The killer escaped through a tunnel and stole Alice’s Girl Scout items; Suburban Decay soon mirrors the case.
Smith describes three clusters of murders followed by thematically similar films, all tied to Seattle’s Cabbagehead Productions; Remo reluctantly accepts the investigation and conceals Chiun’s Hollywood work.
Remo questions Shawn Allen Morris and Tortilli, who names Hollywood backers and offers to lead Remo to a possible source, while denying direct knowledge of the killings.
Chiun visits his New York precinct set, mistakes actors for police, and intimidates the crew into working; the producers say production has returned to schedule.
Leaf Randolph admits he and four associates were paid to torture and kill two Florida students; Remo kills the associates and Leaf after interrogation.
Polly Schien discovers the GlassCo number is disconnected; Hardwin triggers plastique planted in the 32nd-floor windows and office, killing Polly and causing glass to fall into Manhattan.
The unnamed President presses Smith to handle the bombing for donor/fundraising and political reasons and threatens CURE; Smith insists the agency acts only on a qualifying threat.
Remo tells Smith of Leaf’s account; Smith follows financial leads while Remo returns to the released Tortilli, whose fascination with violence grows.
After Chiun leaves, Bindle and Marmelstein discuss the NYC bombing as a promotional preview and plan to leak it to Entertainment Tonight to boost Assassin’s Loves.
Chester confesses to the paid Boise torso murder and tells Remo that other hired men plan to bomb Taurus; Remo kills Chester and three armed associates.
Lester Craig and William Scott Cain drive a loaded Plotz truck through the gate; Chiun unknowingly nears the bombers while Remo and Tortilli race to California.
Remo recognizes the extras from the Seattle bar, kills Cain, interrogates the crew, identifies six truck bombs, and orders Taurus evacuated while trying to keep Chiun away.
Tortilli gets Chiun away from the set; Remo subdues bombers, forces several into trucks, kills three others, and learns a final timer is close to detonation.
Remo moves the final truck through a hangar and crashes it into a brick wall; it detonates seconds later. Remo and Chiun survive the blast.
Chiun believes Remo tried to kill him, then accepts Remo’s proof that Chiun the Great Teacher would not train a pupil who uses bombs; he instead blames a rival studio.
The co-chairs confess they paid $8 million to hire an anonymous caller for a publicity/insurance bombing, and knew 1,000–2,000 people might be on the lot.
Remo reports the one explosion and five stopped bombs; Smith taps B&M’s phones and cautions Remo against investigating donor Stefan Schoenburg before evidence warrants it.
Hardwin’s armed actors breach the fence with plastique and overwhelm Marines and Secret Service; the narrator says the White House falls to a hostile force.
Remo reaches Soundstage 4, discovers Tortilli is directing the profane cop film, and sees Chiun’s screen role reduced to the “cutting-room floor.”
The unnamed President calls Smith from the White House, reports attackers and gunfire, then the line drops; Smith’s network reports a siege and heavy guard casualties.
The attackers cut off escape routes and hold the President and First Lady; Hardwin negotiates with Agent Plover, releases hundreds of employees and promises to send out wounded.
Remo joins officials near the Ellipse, learns the First Family is alive and that at least 200 attackers are estimated inside, then orders body bags and slips into the crowd.
The co-chairs watch the news, recognize their film’s plot, and claim they had hired for New York only and rejected the White House plan; Marmelstein is unsure whether he signed its check.
Remo infiltrates through the fence, kills seven armed actors across the grounds, captures and kills Hardwin; Hardwin identifies the caller’s blueprints and explosives, but his account does not name the caller.
Remo finds the First Lady shredding papers, reports the President hidden in a closet and safe, and tells Smith the White House plot connects to Taurus and Die Down IV.
Tortilli visits B&M, admits he had called them and spent their checks on the White House force despite their reported rejection; he says Act Three is still planned.
The novel identifies Lee as the Anderson killer and Tortilli’s go-between, who hires Hardwin, coordinates weapons and relays orders; Tortilli later pays him for an assassination.
On the flight back to California, Remo sees script scenes reproducing the New York bombing and White House hostage-taking; Revolta says the work became Die Down IV after rewrites.
Tortilli reflects on his financial comeback, the New York/White House attacks and asks what to wear to a presidential assassination.
Smith traces Tortilli to Cabbagehead through the Allen Smithee corporate name; B&M reveal the film will end with the President’s death, and Chiun kills both co-chairs.
When the orchestra plays, the President is pulled down under Secret Service agents; Chiun reaches him and carries him toward the exit. Matson’s first shell fires, strikes the VIP box and explodes; Chiun runs beyond the worst of the blast and sets the President down. Remo reaches the stage too late to prevent the first shot.
Matson’s head is trapped in the cannon barrel; Remo turns the cannon away from the crowd and fires, killing Matson. Remo and Chiun then seize Tortilli and confront his continued plans for the film.
Smith says Matson’s prints and the Girl Scout items connect him to the Anderson murders. Taurus faces litigation; Chiun learns the film is withheld, and Remo says the script is derivative.
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The narrative Prologue is indexed under foreword and was included in the complete reading.
No printed-page mapping, print edition, or original publication date is established.
The source OPF declares language ru although the observed prose is English.
The title-level bibliography supplies this writer attribution. credited_authors is null pending title-page/cover verification; do not infer that marketed creator names drafted this volume.
Fade To Black:
Publisher's description: Real murders boost an independent horror studio’s ticket sales, then a larger terrorist spectacle draws Remo into the production.
Coarse estimate from the assumed incumbent’s historical presidency. The term range is context, not a claim that the plot spans the term or that a particular event occurs at either endpoint.
Historical term dates: Source 1
Current U.S. President: retained hypothesis — Bill Clinton (strong compatibility inference only; not identified in the source).
Bill Clinton (strong compatibility inference only; not identified in the source)
strong historical compatibility; personal identity unresolved
Bill Clinton (strong compatibility inference only; not identified in the source)
strong historical compatibility; personal identity unresolved
The President is never personally named. Lastyearafterimpeachment, embassyattacks twoyearsago and oneadditionalyear clues support circa2000 Clintoncompatibility. His wife’s stated Senate possibilities (now orsixyearslater) are noncommittal alternatives, not a fixed delay; the chronicle’s twenty-first-century framing is separately scoped.
Likely the same unnamed incumbent; Bill Clinton compatibility inference remains unverified
plausible contextual identity; unresolved
The passage says the Chief Executive’s 1992 campaign inspired a film in which Jann Revolta played the President, but it gives no personal name. It is a historical/cultural mention embedded in Remo’s account of Revolta and should not be substituted for an observed name.
Shawn Allen Morris
explicitly named corporate officeholder
He uses “President” as his company title in the scene; this is not a U.S. President.
Fictional U.S. President represented in the Die Down IV screenplay
high that the script includes a fictional President; identity/performer unresolved
B&M summarize a fictional ending in which the President dies and Lance Wallace’s cop character is sworn in; this is a film role, not evidence that the real incumbent dies. The script’s fictional President is not named.
Emperor Harold I
source-form observed; referent uncertain
The narrator’s comic chronicle calls an American “Emperor Harold I” Chiun’s employer. The name may allude to Harold W. Smith, whom Chiun later calls “Emperor Smith,” but no passage directly equates them; preserve as an attributed chronicle role rather than an officeholder identification.
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